CHAPTER 562 CHINAWARE
Entering the Garbage Station, Su Jing can hear the loud noise of garbage being dumped. From the whirlpool above, a large amount of garbage is being dumped down. Su Jing, as always, kept the pets around him, and he released his Spiritual Force to cover the entire garbage dump.
With the growth of his Spiritual Force, the scope and fineness of his Spiritual Detection have also increased by a lot, making Spiritual Detection handier.
After a while, the vortex slowly disappeared, and the garbage stopped being dumped. This time, from beginning to end, there was no voice from the sky. Su Jing didn’t care and continued to carefully detect the entire pile of garbage with his Spiritual Force.
After a while, Su Jing roughly surveyed the piles of garbage and found no dangerous lifeform in it, so he could not help but breathe out a sigh of relief.
Then, he carefully observed the Garbage. Looking around, there are tattered Ancient Clothes, Sheepskin Water Bags, Dirt, Porcelain, Wooden Chairs, and so on. Except for confirming that it is not modern Garbage, Su Jing can not see what world it came from and he began to search and sort out the Garbage one by one.
The more he searched, the closer Su Jing’s brows wrinkled. This pile of Garbage looks like ordinary Ancient Garbage. It is too sparse and common. He searched for a while, but there is nothing that looks good.
“Huh?” Su Jing suddenly found out a bunch of broken Porcelain, some of them were broken, some were relatively intact, and judging from the intact parts, Su Jing found that their craftsmanship was excellent, and it looked like they were made by a Master.
These Porcelains are colorful at first glance. In addition to Jars, Bottles, and Bowls, there are some Porcelains that looked like Camels and Horses. Seeing from the intact parts, the workmanship is meticulous and lifelike.
Su Jing picked up a piece of ceramic, which included the camel’s neck and body, but its four legs and head were broken. The whole body was yellow, the cushion on the back was green, and the front of the neck was white.
“Wait, isn’t this Tang Sancai?” Su Jing’s eyes suddenly lit up, bursting out with a bright light. Tang Sancai is a treasure that is made by using Ancient Chinese Ceramic firing techniques.
Its full name is Tang Dynasty Sancai Glazed Pottery. It was a kind of low-temperature glazed pottery popular in the Tang Dynasty. The glaze is yellow, green, white, brown, blue, and black. Yellow, green and white are the main colors, so people are used to calling it “Tang Sancai”.
Tang Sancai occupies an important historical position in Chinese culture and has left a strong mark in the history of Chinese ceramics. It was exported to foreign countries as early as the early Tang Dynasty and was deeply loved by foreign people. Tang Sancai is famous for its colorful glaze, bright luster, and exquisite shape.
It is a shining pearl in Ancient Chinese pottery. There is no doubt that Tang Sancai has a high collection value in modern times. Although it is not as popular as Porcelain from the Yuan, Ming, and Qing Dynasties, it is quite popular. Many Tang Sancai were bid for in high prices.
Su Jing released his Spiritual Force to detect the entire pile of ceramics, and then quickly selected a few pieces to piece together into a complete camel. After searching for information on the Internet, and after careful observation, he found that it was probably Tang Sancai.
“However, even if this is the real Tang Sancai, it would be useless.”
Su Jing suddenly realized a serious problem, that these Porcelains are all too new. At first glance, it looks like they were just made and released in the market. Even if some of them are relatively dirty and old, they are far from being antiques, let alone Appraiser, even Su Jing can tell it.
These Porcelains, whether they really came from Tang Dynasty or not will not be a question for the Appraiser, there would only be one conclusion- Modern Crafts.
The reason why antiques are antiques is that they have an indispensable factor, which is the sense of age. No matter how well preserved, the traces of the years will definitely be seen on the surface of the object. Moreover, most of the Tang Sancai are Burial goods.
They must have been included in the official burials of the official government in the Tang Dynasty. No matter how big or small the official is, he is allowed to bury with many pieces. But in fact, these dignitaries were not satisfied with such stipulations. Instead, It was often a multiple of the government employees that would do this kind of thick burial.
The official style was like this, and the folk style is of course the same, so from top to bottom, such a burial style was formed.
Therefore, most of the Tang Sancai unearthed in modern times are excavated from tombs or mud. They have a thousand-year-old feeling, and they are determined by the new section of the fetal soil that changes color when exposed to the air, soil rust, and other minor things that are an important basis for authenticating.
Even if these Porcelains are from the Tang Dynasty, they also came through the space and time tunnel. They have not experienced the baptism of the years. No one can see any sense of age or the characteristics of antiques on them. Even if they are Tang Sancai, who would believe it?
Su Jing decided to give it a try, he took a number of detailed pictures and sent them to Shen Hong.
Shen Hong quickly responded with a message, a little surprised: “This Porcelain has very high craftsmanship and the person who made it understands Tang Sancai very well. This is a First-class product, even the details are very vivid, it is a very good modern handicraft, but unfortunately, it is broken, otherwise, it would have some value as a collectible.”
“Sure enough.” Su Jing was feeling a little helpless at this time. No matter how good modern handicrafts are, they are imitated, their value is extremely limited. Compared with genuine antiques, one is in the sky and one is on the ground. However, he still kept these Porcelains.
After all, judging from the trash that includes Ancient Clothes and broken Ancient Books, this trash should come from Ancient Times. The Porcelain thrown in the trash is very unlikely to be imitations, and it is likely to be real Tang Sancai. Whether anyone believes it or not, their true value cannot be erased.
Su Jing continued to search the garbage, and he soon found a lot of broken Porcelain. There are many Human Figures, Horse Figures, and Camel Figures. Some of them are quite complete and only a small part is broken. It is easy to piece them together.
At the same time, Su Jing also collected Waste Paper, Ancient Books, Scrolls, and the like containing text information. After looking at the collection, he sorted it out and looked at it roughly, and was surprised to find that some words said that the current emperor was Emperor Taizong Li Shimin.
In a Nine out of ten chance, this garbage came from the Ancient Tang Dynasty, and Su Jing is basically certain that it was from the Zhenguan period.
With the growth of his Spiritual Force, the scope and fineness of his Spiritual Detection have also increased by a lot, making Spiritual Detection handier.
After a while, the vortex slowly disappeared, and the garbage stopped being dumped. This time, from beginning to end, there was no voice from the sky. Su Jing didn’t care and continued to carefully detect the entire pile of garbage with his Spiritual Force.
After a while, Su Jing roughly surveyed the piles of garbage and found no dangerous lifeform in it, so he could not help but breathe out a sigh of relief.
Then, he carefully observed the Garbage. Looking around, there are tattered Ancient Clothes, Sheepskin Water Bags, Dirt, Porcelain, Wooden Chairs, and so on. Except for confirming that it is not modern Garbage, Su Jing can not see what world it came from and he began to search and sort out the Garbage one by one.
The more he searched, the closer Su Jing’s brows wrinkled. This pile of Garbage looks like ordinary Ancient Garbage. It is too sparse and common. He searched for a while, but there is nothing that looks good.
“Huh?” Su Jing suddenly found out a bunch of broken Porcelain, some of them were broken, some were relatively intact, and judging from the intact parts, Su Jing found that their craftsmanship was excellent, and it looked like they were made by a Master.
These Porcelains are colorful at first glance. In addition to Jars, Bottles, and Bowls, there are some Porcelains that looked like Camels and Horses. Seeing from the intact parts, the workmanship is meticulous and lifelike.
Su Jing picked up a piece of ceramic, which included the camel’s neck and body, but its four legs and head were broken. The whole body was yellow, the cushion on the back was green, and the front of the neck was white.
“Wait, isn’t this Tang Sancai?” Su Jing’s eyes suddenly lit up, bursting out with a bright light. Tang Sancai is a treasure that is made by using Ancient Chinese Ceramic firing techniques.
Its full name is Tang Dynasty Sancai Glazed Pottery. It was a kind of low-temperature glazed pottery popular in the Tang Dynasty. The glaze is yellow, green, white, brown, blue, and black. Yellow, green and white are the main colors, so people are used to calling it “Tang Sancai”.
Tang Sancai occupies an important historical position in Chinese culture and has left a strong mark in the history of Chinese ceramics. It was exported to foreign countries as early as the early Tang Dynasty and was deeply loved by foreign people. Tang Sancai is famous for its colorful glaze, bright luster, and exquisite shape.
It is a shining pearl in Ancient Chinese pottery. There is no doubt that Tang Sancai has a high collection value in modern times. Although it is not as popular as Porcelain from the Yuan, Ming, and Qing Dynasties, it is quite popular. Many Tang Sancai were bid for in high prices.
Su Jing released his Spiritual Force to detect the entire pile of ceramics, and then quickly selected a few pieces to piece together into a complete camel. After searching for information on the Internet, and after careful observation, he found that it was probably Tang Sancai.
“However, even if this is the real Tang Sancai, it would be useless.”
Su Jing suddenly realized a serious problem, that these Porcelains are all too new. At first glance, it looks like they were just made and released in the market. Even if some of them are relatively dirty and old, they are far from being antiques, let alone Appraiser, even Su Jing can tell it.
These Porcelains, whether they really came from Tang Dynasty or not will not be a question for the Appraiser, there would only be one conclusion- Modern Crafts.
The reason why antiques are antiques is that they have an indispensable factor, which is the sense of age. No matter how well preserved, the traces of the years will definitely be seen on the surface of the object. Moreover, most of the Tang Sancai are Burial goods.
They must have been included in the official burials of the official government in the Tang Dynasty. No matter how big or small the official is, he is allowed to bury with many pieces. But in fact, these dignitaries were not satisfied with such stipulations. Instead, It was often a multiple of the government employees that would do this kind of thick burial.
The official style was like this, and the folk style is of course the same, so from top to bottom, such a burial style was formed.
Therefore, most of the Tang Sancai unearthed in modern times are excavated from tombs or mud. They have a thousand-year-old feeling, and they are determined by the new section of the fetal soil that changes color when exposed to the air, soil rust, and other minor things that are an important basis for authenticating.
Even if these Porcelains are from the Tang Dynasty, they also came through the space and time tunnel. They have not experienced the baptism of the years. No one can see any sense of age or the characteristics of antiques on them. Even if they are Tang Sancai, who would believe it?
Su Jing decided to give it a try, he took a number of detailed pictures and sent them to Shen Hong.
Shen Hong quickly responded with a message, a little surprised: “This Porcelain has very high craftsmanship and the person who made it understands Tang Sancai very well. This is a First-class product, even the details are very vivid, it is a very good modern handicraft, but unfortunately, it is broken, otherwise, it would have some value as a collectible.”
“Sure enough.” Su Jing was feeling a little helpless at this time. No matter how good modern handicrafts are, they are imitated, their value is extremely limited. Compared with genuine antiques, one is in the sky and one is on the ground. However, he still kept these Porcelains.
After all, judging from the trash that includes Ancient Clothes and broken Ancient Books, this trash should come from Ancient Times. The Porcelain thrown in the trash is very unlikely to be imitations, and it is likely to be real Tang Sancai. Whether anyone believes it or not, their true value cannot be erased.
Su Jing continued to search the garbage, and he soon found a lot of broken Porcelain. There are many Human Figures, Horse Figures, and Camel Figures. Some of them are quite complete and only a small part is broken. It is easy to piece them together.
At the same time, Su Jing also collected Waste Paper, Ancient Books, Scrolls, and the like containing text information. After looking at the collection, he sorted it out and looked at it roughly, and was surprised to find that some words said that the current emperor was Emperor Taizong Li Shimin.
In a Nine out of ten chance, this garbage came from the Ancient Tang Dynasty, and Su Jing is basically certain that it was from the Zhenguan period.
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