Chapter 876： Woman fickle

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The door of the duke's room was suddenly opened at this time ...

Gilda rushed out in panic. When she saw her father under the steps, she yelled in fear: "Father!" He rushed out of the ministers and hurried into his father's arms.

Seeing his daughter finally come out, Rigoletto hugged her in excitement and said, "Gilda! My baby!" At the same time, he breathed a sigh of relief, and said to the surrounding ministers with a smile. : "Masters! Look! This is my daughter. She is my only family. Please don't hurt her." Afterwards, said to Gilda in her arms: "Don't be afraid of your daughter! I will protect you. Actually This is just a joke, do n’t cry, do n’t be afraid, this is just a joke that everyone plays with you, just a joke ... "

Gilda said sadly: "No! Father! This is not a joke, I have lost my chastity."

"What!" Rigoletto was frightened when he heard his words, and he couldn't believe it: "You ... what did you say?"

Gilda said sadly: "No! Don't let me say it again! There are so many bad people here."

Rigoletto snarled in rage from the surrounding ministers: "Hurry up and leave me! Even the Duke lets him stay away! Otherwise I can't promise what I will do."

The ministers sneered, walked away side by side, and sang, "Don't try to go crazy theory! Let's go together! It is not necessary to pay attention to him." After that, the ministers gradually walked out of the hall, Only Rigoletto and Gilda remained in the room.

After Rigoletto looked at the ministers, he turned to look at the daughter who was still frightened and said, "Say! Baby! There is no one here anymore."

While sobbing, Gilda talked to her father about the process intermittently ... It was a Sunday day, and she went to church to pray, where she would often meet a handsome young man (that is, the Duke) and talk to him Have a good impression. After his father left last night, the Duke ran to the house to express his love to himself, and he was also moved by the enthusiasm of the other party, and could not help falling in love with the other party. Who knew this was a lie, and after the Duke left, he sent someone to kidnap himself, and finally took him to his room, and then ruthlessly took everything away from him.

Rigoletto was sad when he heard the story of his daughter ... his fate was already so miserable, why did he bring bad luck to his daughter again. Thinking of this, he could only hug his daughter and comfort each other sadly, and his guilt in his heart made him feel like a knife.

(No! I want revenge!) Rigoletto thought of the vicious duke, who dared to hurt his daughter, and the anger in his mind could not be controlled.

There was a noise from the window, and Rigoletto hurried to the window and looked down through the curtains ...

Count Montero, who cursed himself, was being taken to the execution ground by soldiers ...

Montero walked past the Duke's building, shook off the soldiers dragging himself, looked at the Duke's room resentfully, and snarled, "Why! Why hasn't God heard my curse? Why! Why thunder and sword I haven't pierced the duke's heart yet! Why! Why do wicked people always live happily ... "

The soldiers rushed up and dragged the roaring Montero ...

Rigoletto banged on the window angrily and exclaimed: "No! Listen to the old man ... I will punish God for him!"

Rigoletto said that the anger in his heart could not be suppressed anymore. He was so angry that he smashed everything in the Duke's room. The anger made him howl and he must avenge himself on the Duke. After that, he took his daughter and left the duke's castle.

The curtain of Act 2 also fell quickly in the back of Legoletto and Gilda ...

...

In the applause of the audience, the plot entered the most anticipated scene ...

...

In the dark night, Rigoletto and Gilda walked deep and shallowly ...

Rigoletto heard her daughter say nothing, knew that she was still sad, and sang, "Daughter! Are you still sad for that person?"

Gilda nodded and said, "Yes father!"

"Confused! You'll soon find out he's a downright bad guy!" Rigoletto complained.

Gilda shook her head stubbornly and said: "Then I love him too! Even if he is a badass."

"You are such a stupid daughter! You will fall in love with such a bad guy!" Rigoletto heard this and hummed. "But it doesn't matter! You will soon see what he looks like, to Will you love him again. "

Gilda said: "Even if he is a badass! But I know he must still love me."

Rigoletto said, "Don't rush to a conclusion! When you know the truth, you won't say that." After that, he pulled his daughter and walked forward ... A house appeared in a short while In the eyes of the two, they took their daughter secretly to the back window of the house and looked inside.

There was a man in it. Gilda didn't know the man, but Rigoletto knew that he was the assassin Spalavchire.

Just when Gilda felt strange, why did his father bring himself here to see a strange man.

There was a rush of horseshoes at this time ... A short time later, the door was pushed open, and to the surprise of Gilda, the Duke came in.

Immediately after the Duke entered the house, the power of the superiors appeared, and he ordered Spallaki to prepare a room and a good wine, and he needed to rest.

Spalavqilie left with a sad look and went to help the duke get the wine.

The duke proudly sang his most classic vocal in the room, and also the tenor classic vocal "Women's Change" in opera history.

"Women are fickle, like floating feathers. Words and thoughts are always fickle. The affectionate face always cries and laughs. In fact, it is all deception, deceiving those fool-like men. Women They are fickle, like floating feathers, words that have been said, and ... thoughts are always fickle, always fickle, always fickle ... fickle. "

At this time Spalav Chilie sent the wine into the room. The duke poured a glass, raised it and looked at it proudly, and sang, "The man who believes in women is the biggest fool in the world. They will always be entangled in pain and smoothed. The so-called love. And I only like Yun Su, their seductive red lips, but never give up, my sincerity. Women are all fickle, like floating feathers, words and thoughts ... always Capricious, always capricious, capricious ... capricious ... "

"Women's Change", a classic tenor in opera history, naturally shocked the audience. The super high sound range fully demonstrated the singer's singing talents, and at the same time made Polly envious at the same time, Benito actually sang a classic track. 46