Chapter 680： Poetic scenery
680 Poetic scenery
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In Charleston in November, the pace of winter is gradually approaching, and the change of seasons is uncontrollable. Device: No ads, full text, more This was originally just a natural change, but Evan Bell was a little annoyed, mainly because of filming, this is not a studio, if the seasons of natural scenes change, this It takes a lot of manual effort to recreate the picture that meets the requirements.
Evan Bell hopes he has the special ability to stop time, but unfortunately he does not. Therefore, Evan Bell can only shoot the late autumn scene in advance.
This is a huge lake. The part of the calm lake near the shore is about the size of three football fields. In the distance is a forest of Metasequoia. The dense Metasequoia spreads over the lake, and it is almost impossible to see the head. However, the density of Metasequoia is not too exaggerated, and it can still accommodate a small fishing boat to pass by. At the end of the Metasequoia Forest, there is a mountain range connected on three sides. The Metasequoia Forest extends all the way to the top of the mountain range, but there is still a small gap, and the gap seems to still belong to the category of lakes. Evan Bell also couldn't be sure how big the lake was.
Evan Bell, with makeup artist Karen Wagner and videographer Robert Faris, and a fishing captain, boarded a small fishing boat, along with Ryan Gosling and Rachel McAdams. On the fishing boat, there is a long rope behind the fishing boat, pulling a white canoe, the fishing boat often leaves the shore and sails towards the Metasequoia forest above the lake. In addition, the props team followed behind with a small fishing boat.
Before the official start of filming, Evan Bell and Robert Faris need to have a good understanding of the environment of the Metasequoia forest, so that they can have a clear understanding of the shooting route for a while.
The small fishing boat left the vast lake and entered the Metasequoia forest between the two thick Metasequoia. Standing on the bow of the fishing boat, looking up at the top of the tree, the trees were soaring into the clouds, the neck was almost broken, and the top of the treetop could not be seen. It's just that the blue sky between the branches was as clean as water. Today's weather was very good. The sun pierced through the treetops that were not tight and sprinkled down, and a layer of warm golden color appeared on the calm lake.
These Metasequoias are thick and thin, but the height is amazing. Robert Faris has been looking up at the branches above, because Evan Bell wants to take a high-altitude bird's-eye view. Evan Bell plans to use a professional videography remote-controlled helicopter to take the camera to the sky, and then shoot the footage from above. This kind of plan is feasible and suitable for today's scene: otherwise, if a helicopter that can carry people is used, not to mention whether it can be lowered through the branches for shooting, even if it comes in, it is estimated that the plane will be destroyed. Not to mention that the calm lake surface will also disturb the silence due to the huge wind from the propellers.
Robert Faris stopped the fishing boat temporarily and flew a remote-controlled helicopter to watch the camera footage through a monitor. The waterway between the trees in this Metasequoia forest is neither large nor small, and can accommodate three canoes in parallel. For small fishing boats, one can only pass by. However, the twists and turns of this channel have a unique charm. In terms of composition, at least find the right trees of the right thickness to serve as the focus of the picture, and the composition will be very beautiful.
The voice of the props group Chuck-bōte came from the walkie-talkie, "Evan, the outer circle is ready, now let's put the ducks?"
Evan Bell picked up the walkie-talkie hanging on Kù's waist, "No problem, let's put it on now." In order to film the scene of this romantic date, the crew rented a thousand ducks from a local farm in Charleston to prepare Dropped on this lake. And they seem to be lucky, they saw a few wild swans when they were sailing just now.
The release of the ducks lasted for a while. Evan Bell and Robert Faris have already surveyed the route. A little further from here is a relatively spacious waterway. It should be a waterway exclusively used by fishermen in the past, but at this time Chuck -Bōte pulled up a fence at the far side of the channel to temporarily enclose this area for the crew to shoot.
"Evan, how's this angle?" Robert Faris shouted to Evan Bell, who was standing on the bow watching the ducks, and Evan Bell didn't even look back, "Ryan, Rachel, You two get ready to get in the canoe and see how the overall picture looks."
Evan Bell gave an order, and the crew began to get busy again. By the time Ryan Gosling and Rachel McAdams got into the canoe, the ducks had been put in. Ryan Gosling paddled some distance from the fishing boat, but the ropes holding the canoe and fishing boat hadn't been untied, so they didn't have to worry about their safety.
Evan Bell sat in front of the monitor and instructed Robert Faris to move the angle of the aerial camera to find a suitable picture.
I saw a quiet lake in front of me, with Metasequoia standing on the water, and the green leaves in the distance could be seen in the camera, but at this time, the warm sunlight was dyed pale gold and a little red. sè, the lake surface is not clean, you can see water plants growing recklessly at the roots of the trees, and there are rotten leaves that fall on the lake surface due to the seasons, but the lake surface shrouded in bits of gold has a hazy halo, black sè , white color, dark green color, light green color, gold color, red color... All kinds of color tones are like a huge palette, and in an instant, I just feel that it is the most beautiful oil painting in the world.
Looking a little further, there are large swarms of ducks, with white máo red bills and black eyes, floating on the green lake, swimming lazily under the sun. The white color that stretched out was like a scene of white feathers falling one after another. Suddenly, the remote-controlled helicopter rose and looked down from a high altitude, and Ryan Gosling and Rachel McAdams, who were chatting on the canoe in the camera, entered the picture.
In the middle is a conjoined tree with arms wrapped around the thickness. Under the brown bark, there are two green aquatic plants stubbornly stretching their branches around. The surrounding Metasequoia is only the thickness of an arm, the sunlight penetrates the branches and falls mottled, and the large white feather máo flows with the almost black lake water, and the strong contrast forms a visual impact. A canoe with a red inside on a white background was slowly approaching, and the two young men were laughing with joy on the boat. Among the large swathes of ducks, a group of ducks followed the order of the water, pushing away a stream of water in the continuous white color. The canoe also floated slightly because of the direction of the current, tearing a crack in the middle of the white feather máo, as if a fine silk was torn apart, revealing the black lining underneath.
This beautiful scenery is like the rhythm sung in the mouth of a fluent poet, so beautiful that people lose their language ability.
No need for Evan Bell's special explanation, just from the joy on Evan Bell's face, Robert Faris knew that this was the picture he wanted.
Evan Bell picked up the horn and shouted to the canoe not far away, "Take it as an outing, entertain yourself, and ignore the camera and picture." Ryan Gosling and Rachel McAdams Everyone knows Evan Bell's personality, he hopes that they will play freely first, and give certain things, and then he will guide the direction.
Ryan Gosling and Rachel McAdams really swam around the lake, and Evan Bell and Robert Faris were like obscene peeping uncles, piloting a helicopter to capture the footage they needed. But in fact, this method is the most appropriate. After this period of running-in, the two actors have already become familiar with each other. Even if there is no love, the tacit understanding is enough. Long shot, medium shot, close shot, except for close-ups, Evan Bell took pictures of the pictures in his mind when the two of them were swimming in the lake.
Putting aside the drama for a while, and being able to go out to swim in the lake, Rachel McAdams was obviously in a good mood, with a smile that was as sweet as the sun. "Do you like it?" Ryan Gosling asked casually as he rowed. At this time, the helicopter descended relatively low, basically parallel to the heads of the two people when they were sitting, and the distance was not far, so although the radio was not clear, it was still clear. "It's spectacular." Rachel McAdams looked surprised, his eyes locked on the ducks on both sides of the canoe, his eyes fixed.
"Isn't this a dream?" Rachel McAdams' brows were full of joy.
"Want to feed them?" Ryan Gosling said indulgently.
"Okay." Rachel McAdams took the crumbs from Ryan Gosling.
Evan Bell, who saw this scene on the fishing boat in the distance, did not make a sound. After the picture of Rachel McAdams crawling on the side of the boat like a child to feed the ducks was filmed, Evan Bell Only after shouting with a horn, a young man who was having a good time looked at the fishing boat, and the ducks around were even more startled away.
Evan Bell said to the two actors The conversation just now was very good. We will shoot it again. This time we will take a close-up and the radio will be included. Just now, I could only hear a vague voice. "
As soon as Evan Bell's voice fell, Ryan Gosling raised his hand and shouted in the direction of the fishing boat, "But, Evan, what we said just now, I don't remember." Rachel McAdams Laughter came right after.
Evan Bell suddenly felt very helpless, "Feeding the ducks is basically this topic, you can play freely, but you need to close up."
Robert Faris looked at the beautiful scenery in front of him and sighed, "Evan, this scene is really beautiful, and anyone who sees it will be envious. Why didn't you think of making a movie before?" Robert Faris Si is a photographer, and his sighs are naturally aimed at this aspect of photography.
Evan Bell laughed, "I took a lot of pictures, my mv, the pictures are all the scenes in my mind." If it is purely from the picture, "Love Notebook" does follow Evan Bell's pairing The tradition of finely crafted pictures.
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The fourth update today, please recommend, please subscribe!
In Charleston in November, the pace of winter is gradually approaching, and the change of seasons is uncontrollable. Device: No ads, full text, more This was originally just a natural change, but Evan Bell was a little annoyed, mainly because of filming, this is not a studio, if the seasons of natural scenes change, this It takes a lot of manual effort to recreate the picture that meets the requirements.
Evan Bell hopes he has the special ability to stop time, but unfortunately he does not. Therefore, Evan Bell can only shoot the late autumn scene in advance.
This is a huge lake. The part of the calm lake near the shore is about the size of three football fields. In the distance is a forest of Metasequoia. The dense Metasequoia spreads over the lake, and it is almost impossible to see the head. However, the density of Metasequoia is not too exaggerated, and it can still accommodate a small fishing boat to pass by. At the end of the Metasequoia Forest, there is a mountain range connected on three sides. The Metasequoia Forest extends all the way to the top of the mountain range, but there is still a small gap, and the gap seems to still belong to the category of lakes. Evan Bell also couldn't be sure how big the lake was.
Evan Bell, with makeup artist Karen Wagner and videographer Robert Faris, and a fishing captain, boarded a small fishing boat, along with Ryan Gosling and Rachel McAdams. On the fishing boat, there is a long rope behind the fishing boat, pulling a white canoe, the fishing boat often leaves the shore and sails towards the Metasequoia forest above the lake. In addition, the props team followed behind with a small fishing boat.
Before the official start of filming, Evan Bell and Robert Faris need to have a good understanding of the environment of the Metasequoia forest, so that they can have a clear understanding of the shooting route for a while.
The small fishing boat left the vast lake and entered the Metasequoia forest between the two thick Metasequoia. Standing on the bow of the fishing boat, looking up at the top of the tree, the trees were soaring into the clouds, the neck was almost broken, and the top of the treetop could not be seen. It's just that the blue sky between the branches was as clean as water. Today's weather was very good. The sun pierced through the treetops that were not tight and sprinkled down, and a layer of warm golden color appeared on the calm lake.
These Metasequoias are thick and thin, but the height is amazing. Robert Faris has been looking up at the branches above, because Evan Bell wants to take a high-altitude bird's-eye view. Evan Bell plans to use a professional videography remote-controlled helicopter to take the camera to the sky, and then shoot the footage from above. This kind of plan is feasible and suitable for today's scene: otherwise, if a helicopter that can carry people is used, not to mention whether it can be lowered through the branches for shooting, even if it comes in, it is estimated that the plane will be destroyed. Not to mention that the calm lake surface will also disturb the silence due to the huge wind from the propellers.
Robert Faris stopped the fishing boat temporarily and flew a remote-controlled helicopter to watch the camera footage through a monitor. The waterway between the trees in this Metasequoia forest is neither large nor small, and can accommodate three canoes in parallel. For small fishing boats, one can only pass by. However, the twists and turns of this channel have a unique charm. In terms of composition, at least find the right trees of the right thickness to serve as the focus of the picture, and the composition will be very beautiful.
The voice of the props group Chuck-bōte came from the walkie-talkie, "Evan, the outer circle is ready, now let's put the ducks?"
Evan Bell picked up the walkie-talkie hanging on Kù's waist, "No problem, let's put it on now." In order to film the scene of this romantic date, the crew rented a thousand ducks from a local farm in Charleston to prepare Dropped on this lake. And they seem to be lucky, they saw a few wild swans when they were sailing just now.
The release of the ducks lasted for a while. Evan Bell and Robert Faris have already surveyed the route. A little further from here is a relatively spacious waterway. It should be a waterway exclusively used by fishermen in the past, but at this time Chuck -Bōte pulled up a fence at the far side of the channel to temporarily enclose this area for the crew to shoot.
"Evan, how's this angle?" Robert Faris shouted to Evan Bell, who was standing on the bow watching the ducks, and Evan Bell didn't even look back, "Ryan, Rachel, You two get ready to get in the canoe and see how the overall picture looks."
Evan Bell gave an order, and the crew began to get busy again. By the time Ryan Gosling and Rachel McAdams got into the canoe, the ducks had been put in. Ryan Gosling paddled some distance from the fishing boat, but the ropes holding the canoe and fishing boat hadn't been untied, so they didn't have to worry about their safety.
Evan Bell sat in front of the monitor and instructed Robert Faris to move the angle of the aerial camera to find a suitable picture.
I saw a quiet lake in front of me, with Metasequoia standing on the water, and the green leaves in the distance could be seen in the camera, but at this time, the warm sunlight was dyed pale gold and a little red. sè, the lake surface is not clean, you can see water plants growing recklessly at the roots of the trees, and there are rotten leaves that fall on the lake surface due to the seasons, but the lake surface shrouded in bits of gold has a hazy halo, black sè , white color, dark green color, light green color, gold color, red color... All kinds of color tones are like a huge palette, and in an instant, I just feel that it is the most beautiful oil painting in the world.
Looking a little further, there are large swarms of ducks, with white máo red bills and black eyes, floating on the green lake, swimming lazily under the sun. The white color that stretched out was like a scene of white feathers falling one after another. Suddenly, the remote-controlled helicopter rose and looked down from a high altitude, and Ryan Gosling and Rachel McAdams, who were chatting on the canoe in the camera, entered the picture.
In the middle is a conjoined tree with arms wrapped around the thickness. Under the brown bark, there are two green aquatic plants stubbornly stretching their branches around. The surrounding Metasequoia is only the thickness of an arm, the sunlight penetrates the branches and falls mottled, and the large white feather máo flows with the almost black lake water, and the strong contrast forms a visual impact. A canoe with a red inside on a white background was slowly approaching, and the two young men were laughing with joy on the boat. Among the large swathes of ducks, a group of ducks followed the order of the water, pushing away a stream of water in the continuous white color. The canoe also floated slightly because of the direction of the current, tearing a crack in the middle of the white feather máo, as if a fine silk was torn apart, revealing the black lining underneath.
This beautiful scenery is like the rhythm sung in the mouth of a fluent poet, so beautiful that people lose their language ability.
No need for Evan Bell's special explanation, just from the joy on Evan Bell's face, Robert Faris knew that this was the picture he wanted.
Evan Bell picked up the horn and shouted to the canoe not far away, "Take it as an outing, entertain yourself, and ignore the camera and picture." Ryan Gosling and Rachel McAdams Everyone knows Evan Bell's personality, he hopes that they will play freely first, and give certain things, and then he will guide the direction.
Ryan Gosling and Rachel McAdams really swam around the lake, and Evan Bell and Robert Faris were like obscene peeping uncles, piloting a helicopter to capture the footage they needed. But in fact, this method is the most appropriate. After this period of running-in, the two actors have already become familiar with each other. Even if there is no love, the tacit understanding is enough. Long shot, medium shot, close shot, except for close-ups, Evan Bell took pictures of the pictures in his mind when the two of them were swimming in the lake.
Putting aside the drama for a while, and being able to go out to swim in the lake, Rachel McAdams was obviously in a good mood, with a smile that was as sweet as the sun. "Do you like it?" Ryan Gosling asked casually as he rowed. At this time, the helicopter descended relatively low, basically parallel to the heads of the two people when they were sitting, and the distance was not far, so although the radio was not clear, it was still clear. "It's spectacular." Rachel McAdams looked surprised, his eyes locked on the ducks on both sides of the canoe, his eyes fixed.
"Isn't this a dream?" Rachel McAdams' brows were full of joy.
"Want to feed them?" Ryan Gosling said indulgently.
"Okay." Rachel McAdams took the crumbs from Ryan Gosling.
Evan Bell, who saw this scene on the fishing boat in the distance, did not make a sound. After the picture of Rachel McAdams crawling on the side of the boat like a child to feed the ducks was filmed, Evan Bell Only after shouting with a horn, a young man who was having a good time looked at the fishing boat, and the ducks around were even more startled away.
Evan Bell said to the two actors The conversation just now was very good. We will shoot it again. This time we will take a close-up and the radio will be included. Just now, I could only hear a vague voice. "
As soon as Evan Bell's voice fell, Ryan Gosling raised his hand and shouted in the direction of the fishing boat, "But, Evan, what we said just now, I don't remember." Rachel McAdams Laughter came right after.
Evan Bell suddenly felt very helpless, "Feeding the ducks is basically this topic, you can play freely, but you need to close up."
Robert Faris looked at the beautiful scenery in front of him and sighed, "Evan, this scene is really beautiful, and anyone who sees it will be envious. Why didn't you think of making a movie before?" Robert Faris Si is a photographer, and his sighs are naturally aimed at this aspect of photography.
Evan Bell laughed, "I took a lot of pictures, my mv, the pictures are all the scenes in my mind." If it is purely from the picture, "Love Notebook" does follow Evan Bell's pairing The tradition of finely crafted pictures.
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