Chapter 197： crew life
It rained heavily last night.
Lyman slept very lightly. The raindrops hit the glass windows with thunder and thunder. Once woken up, it was difficult for him to continue to sleep.
He looked sideways at Eva.
She still slept soundly, with her arms on his waist, her hair loose, and there was no sense of beauty at all.
Maybe he was too tired, and he didn't know when the momentum outside had stopped and he fell asleep again.
In recent days, he has been learning to be a good producer.
At the very least, I can help Ryan share the burden to ensure the normal operation of the crew.
In addition to the things on the set, I have to wait on Eva Green.
Eh, it seems like this is a good thing for each other.
She was also on the set, and she also made a cameo appearance as the little lover of Doctor Lawrence.
The scene is super simple. In the movie, it is estimated that it is only one or two shots.
After the filming was over, he didn't leave and helped him with some trivial matters.
At night, if the two still have energy and interest, they will roll the sheets again.
This is a huge consumption of body and mind from the inside out.
As for the girl, perhaps it has been developed to activate the combat attributes in her body. She is not ashamed or impetuous about it, and she is very active. It feels like she has finally eaten meat and tasted meat. Can't let go of that wonderful taste?
This phenomenon is also common among couples who have just come into contact with these. But Eva wanted to turn over to be the master every time, to be a dragon knight, which Lyman couldn't bear.
The consequence of being unbearable is that you either don't fight, or do a lot of work, and you must suppress it (hey, I don't know if you have crossed the line or not.)
"Come on, come down, hurry up."
In the ordinary hotel rented by the crew, Ryan was punctual as always, urging in the aisle with his voice on time.
Next to him stood Revonne—also learning how to be a qualified producer.
"morning."
"morning."
The film crew came out of each room in twos and threes, nodding their greetings.
After a while, Lyman also got up and pulled Eva into the car with him.
Ryan stood by the car and glanced back and forth twice - several cars lined up, and after confirming that everyone was there, he waved his arm, opened the car door and sat in the co-pilot of Lyman's car.
"You can go."
It's 6 a.m. in Los Angeles, and the sky is still cloudy, overcast, and it feels like it's going to rain.
But fortunately, "The Chainsaw" is an indoor play, so it doesn't affect anything.
Today's filming is the opening scenes of Jason Statham and Hugo Weaving. There is nothing to do with JK Simmons. I could have rested, but people also followed.
After a while, the car entered Warner Studios.
After parking the car, Lyman and Ryan organized people to unload the equipment.
Afterwards, some of the crew members who lived at home also arrived. Studio No. 3 quickly became lively again.
After about an hour of busy work, the preliminary preparations are almost done.
The prop artist began to re-plan the set, and the lighting photography was also instructed by Wen Ziren to complete the shooting effect he wanted.
After arranging it in the basement, a toilet scene was restored.
The production manager Lemmons squatted on the ground and carefully checked the props and shackles that would be used in the next filming. The big hand kept brushing the finished rubber product with a metallic texture to confirm that it was smooth enough and would not hurt the actors.
If the actor is injured because of these, the representative of Allianz Insurance will definitely come over to argue again.
At that time, it was really troublesome, and the person who checked him didn't have good juice.
Wen Ziren was wearing a simple long shirt, denim trousers, and a hat, sitting behind the director's monitor, discussing the camera angle arrangement with the cameraman.
After a while, the actors were also in place.
Jason Statham could clearly see that he had a little makeup on the eye sockets, and his face was haggard. That feeling of not sleeping well. Of course, in order to achieve better results, he did stay up half the night last night. There was blood in the pupils. At this time, he was wearing shackles, because the filming had not yet started, and he was holding a bottle of water and drinking to moisten his throat.
Hugo Weaving is not like this, but his face is white and he is wearing professional formal attire. It has a gloomy temperament, which is very different from the expected image of a doctor. The style contrast is quite weird.
"—" At about nine o'clock in the morning, when everything was ready, Wen Ziren immediately picked up the loudspeaker and shouted loudly. Can you vaguely hear that he is excited?
The studio quickly became quiet, and Wen Ziren's eyes were fixed on the monitor.
The director of photography held a camera and stood by the bathtub on the other side of the wall. Through the slightly turbid water of the bathtub, he firmly locked the figure of Jason Statham. Well, that big bald head is more photogenic in the water.
A burst of water ripples, splashing everywhere, Jason Statham suddenly sat up and coughed violently
This scene is naturally the scene at the beginning of the movie, that is, the idea that Jigsaw will implement after he has cancer and his brain is abnormal-to advise the world and cherish life.
So when Adam woke up and saw the unfamiliar scene in front of him, he was stunned and frightened, especially his ankles were shackled.
Perhaps it was because of his too much movement that Lawrence also woke up from a coma.
Looking at everything around him, he was able to keep his composure for a while. In character setting, he is also a very thoughtful person.
"Crack."
After the shot was completed, Wen Ziren called out the screen to take a look and frowned.
"The lights are dimming a little, block the board over there."
After a few minutes of fine-tuning, I started shooting again.
But it still felt that something was wrong.
The actor's performance is still in place, and there is no problem with the scene and lighting, but when the two are combined, there will be a sense of abruptness, and the picture and the characters will appear a little out of harmony.
What's the matter?
Adhering to the principle of asking if he doesn't understand, he turned his eyes to Laiman who was beside him.
The meaning couldn't be more obvious.
Lehmann sighed inwardly, "Yes, he's really inexperienced."
Speaking of which, what are you doing here Isn't it just a name? Why do you help manage the logistics of the crew, and now you have to solve the shooting?
"Look, is something wrong?"
Wen Ziren said. Lyman also looked at the footage just now through the monitor.
Under the dim lighting, the image of the lens is still clear, but because the surroundings are "quiet", Jason Statham wakes up "moving", to create a subtle sense of contrast.
At this moment, it is obvious that the "moving" heat is not enough, and it seems that the picture is stable and lifeless. Not enough to live.
He thought about it for a while and suggested, "Let's add an action. When the camera shoots, follow Adam and shake it. It's the kind of action that sits up and falls down to increase the tension of the picture. This can also better attract the audience's attention. Put it on this character."
Wen Ziren heard this, his eyes lit up, and he immediately greeted the camera crew to do it again.
————
Lyman slept very lightly. The raindrops hit the glass windows with thunder and thunder. Once woken up, it was difficult for him to continue to sleep.
He looked sideways at Eva.
She still slept soundly, with her arms on his waist, her hair loose, and there was no sense of beauty at all.
Maybe he was too tired, and he didn't know when the momentum outside had stopped and he fell asleep again.
In recent days, he has been learning to be a good producer.
At the very least, I can help Ryan share the burden to ensure the normal operation of the crew.
In addition to the things on the set, I have to wait on Eva Green.
Eh, it seems like this is a good thing for each other.
She was also on the set, and she also made a cameo appearance as the little lover of Doctor Lawrence.
The scene is super simple. In the movie, it is estimated that it is only one or two shots.
After the filming was over, he didn't leave and helped him with some trivial matters.
At night, if the two still have energy and interest, they will roll the sheets again.
This is a huge consumption of body and mind from the inside out.
As for the girl, perhaps it has been developed to activate the combat attributes in her body. She is not ashamed or impetuous about it, and she is very active. It feels like she has finally eaten meat and tasted meat. Can't let go of that wonderful taste?
This phenomenon is also common among couples who have just come into contact with these. But Eva wanted to turn over to be the master every time, to be a dragon knight, which Lyman couldn't bear.
The consequence of being unbearable is that you either don't fight, or do a lot of work, and you must suppress it (hey, I don't know if you have crossed the line or not.)
"Come on, come down, hurry up."
In the ordinary hotel rented by the crew, Ryan was punctual as always, urging in the aisle with his voice on time.
Next to him stood Revonne—also learning how to be a qualified producer.
"morning."
"morning."
The film crew came out of each room in twos and threes, nodding their greetings.
After a while, Lyman also got up and pulled Eva into the car with him.
Ryan stood by the car and glanced back and forth twice - several cars lined up, and after confirming that everyone was there, he waved his arm, opened the car door and sat in the co-pilot of Lyman's car.
"You can go."
It's 6 a.m. in Los Angeles, and the sky is still cloudy, overcast, and it feels like it's going to rain.
But fortunately, "The Chainsaw" is an indoor play, so it doesn't affect anything.
Today's filming is the opening scenes of Jason Statham and Hugo Weaving. There is nothing to do with JK Simmons. I could have rested, but people also followed.
After a while, the car entered Warner Studios.
After parking the car, Lyman and Ryan organized people to unload the equipment.
Afterwards, some of the crew members who lived at home also arrived. Studio No. 3 quickly became lively again.
After about an hour of busy work, the preliminary preparations are almost done.
The prop artist began to re-plan the set, and the lighting photography was also instructed by Wen Ziren to complete the shooting effect he wanted.
After arranging it in the basement, a toilet scene was restored.
The production manager Lemmons squatted on the ground and carefully checked the props and shackles that would be used in the next filming. The big hand kept brushing the finished rubber product with a metallic texture to confirm that it was smooth enough and would not hurt the actors.
If the actor is injured because of these, the representative of Allianz Insurance will definitely come over to argue again.
At that time, it was really troublesome, and the person who checked him didn't have good juice.
Wen Ziren was wearing a simple long shirt, denim trousers, and a hat, sitting behind the director's monitor, discussing the camera angle arrangement with the cameraman.
After a while, the actors were also in place.
Jason Statham could clearly see that he had a little makeup on the eye sockets, and his face was haggard. That feeling of not sleeping well. Of course, in order to achieve better results, he did stay up half the night last night. There was blood in the pupils. At this time, he was wearing shackles, because the filming had not yet started, and he was holding a bottle of water and drinking to moisten his throat.
Hugo Weaving is not like this, but his face is white and he is wearing professional formal attire. It has a gloomy temperament, which is very different from the expected image of a doctor. The style contrast is quite weird.
"—" At about nine o'clock in the morning, when everything was ready, Wen Ziren immediately picked up the loudspeaker and shouted loudly. Can you vaguely hear that he is excited?
The studio quickly became quiet, and Wen Ziren's eyes were fixed on the monitor.
The director of photography held a camera and stood by the bathtub on the other side of the wall. Through the slightly turbid water of the bathtub, he firmly locked the figure of Jason Statham. Well, that big bald head is more photogenic in the water.
A burst of water ripples, splashing everywhere, Jason Statham suddenly sat up and coughed violently
This scene is naturally the scene at the beginning of the movie, that is, the idea that Jigsaw will implement after he has cancer and his brain is abnormal-to advise the world and cherish life.
So when Adam woke up and saw the unfamiliar scene in front of him, he was stunned and frightened, especially his ankles were shackled.
Perhaps it was because of his too much movement that Lawrence also woke up from a coma.
Looking at everything around him, he was able to keep his composure for a while. In character setting, he is also a very thoughtful person.
"Crack."
After the shot was completed, Wen Ziren called out the screen to take a look and frowned.
"The lights are dimming a little, block the board over there."
After a few minutes of fine-tuning, I started shooting again.
But it still felt that something was wrong.
The actor's performance is still in place, and there is no problem with the scene and lighting, but when the two are combined, there will be a sense of abruptness, and the picture and the characters will appear a little out of harmony.
What's the matter?
Adhering to the principle of asking if he doesn't understand, he turned his eyes to Laiman who was beside him.
The meaning couldn't be more obvious.
Lehmann sighed inwardly, "Yes, he's really inexperienced."
Speaking of which, what are you doing here Isn't it just a name? Why do you help manage the logistics of the crew, and now you have to solve the shooting?
"Look, is something wrong?"
Wen Ziren said. Lyman also looked at the footage just now through the monitor.
Under the dim lighting, the image of the lens is still clear, but because the surroundings are "quiet", Jason Statham wakes up "moving", to create a subtle sense of contrast.
At this moment, it is obvious that the "moving" heat is not enough, and it seems that the picture is stable and lifeless. Not enough to live.
He thought about it for a while and suggested, "Let's add an action. When the camera shoots, follow Adam and shake it. It's the kind of action that sits up and falls down to increase the tension of the picture. This can also better attract the audience's attention. Put it on this character."
Wen Ziren heard this, his eyes lit up, and he immediately greeted the camera crew to do it again.
————
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