Chapter 1358： Fifteen Golden Buddha Statues 3

The person who interrupted was an old man with a fan in his hand. The other party shook the fan in his hand and said, "Little girl, you have said so much, and you haven't told us what dynasty this thing is from?"

Pei Yian glanced at the other party and didn't care, and said seriously: "This embroidered statue should be a work in the prosperous Tang Dynasty, and it is very likely that it should be a tribute to the palace."

"According to the evolution of the Buddha statues in history, most of the Buddha statues in the Sui Dynasty and the early Tang Dynasty were plump, plump and strong, and the heads of the Buddha statues were slightly larger. The bodies were slightly shorter, and the faces were plump. Most of the clothes like to use the raised pattern like a round rope, this is because this kind of pattern was popular in the Sui Dynasty and the early Tang Dynasty at that time."

Pei Yian turned over the Buddha statue in his hand, so that everyone could see the lines on the Buddha statue more carefully and clearly.

The embroidered statue was exposed to everyone's sight, and all the dozens of people in the front row clearly saw the Buddha statue pointed to by Pei Yian.

Pei Yian stretched out his finger to the Buddha statues on the embroidered statues, and continued: "Look at the 15 Buddha statues, the embroidered appearances are well-proportioned and the structure is reasonable, completely getting rid of the large heads of the Buddha statues in the Sui Dynasty and the early Tang Dynasty. The body structure is not very reasonable. In addition, the 15 Buddha statues use square-neck drape coats, and all Buddha statues are connected to the waist. Look carefully at the patterns and patterns on this lotus platform, as well as these 15 statues. The embroidery patterns on the golden Buddha's clothes... These patterns and embroidery patterns, as well as the style of the clothes on the Buddha statue, we can confirm that this double-sided embroidered golden Buddha statue should be a product of the Tang Dynasty. Only in the Tang Dynasty was this popular. Patterns and clothing."

"As for the Buddha statues of other periods and dynasties. Although influenced by the style of the Tang Dynasty, due to social and political factors, it is difficult to reflect the grand and confident style of the Tang Dynasty. Instead, it has become more restrained and blunt. In addition, the fashionable clothes and lines of each dynasty and generation, as well as the pedestal of the Buddha statue are different... So I think this should be a work of the Tang Dynasty."

"In ancient times, ordinary people could not use gold utensils at will, and even the probability of using them as currency in the market was very low. Everyone should know this."

"The emperors of all dynasties will collect a large amount of gold, which is used for funerals or reserves for other purposes. In the history of our country, gold ornaments and utensils have always represented personal social status and wealth. Especially In ancient times... ordinary people's homes, even ordinary officials' families... would not dare to use such a Buddha statue embroidered with gold thread."

After all, yellow has always represented the most orthodox color in ancient times.

"These 15 golden Buddha statues are exquisitely embroidered and have a vivid artistic conception. Ordinary embroidery women can't do it at all. Generally, only those beautiful women in the palace dedicated to the royal family can have such exquisite skills... So a few clues and characteristics Combined, I think this should be a double-sided embroidered gold Buddha statue used by the imperial court in the prosperous Tang Dynasty." Pei Yian said calmly, these words seem casual, but in fact they are very authentic.

This is not only because Pei Yian's identification technology has risen to a new height over the years, but also because her ability can know the approximate age of this item, knowing that this item is indeed the real Tang Dynasty embroidery!