Chapter 456： Brilliant influence
"Oh, Netflix."
As he walked through the theater through the screening hall, Bendtner could see familiar signs everywhere: "There are Netflix advertisements everywhere."
The friend Rosicky next to him said: "Netflix and the Embassy Pictures that released "The Bourne" seem to belong to the same group company, it seems to be called..." He thought for a while: "Yes, it is called Relativity Entertainment Group."
Bendtner followed the crowd and asked as he walked: "Last time we registered a Netflix user together, have you ever used it."
Rosicky glanced at a girl who was crowding behind and said, "It's very convenient. It only needs a few clicks with the mouse. The selected film will be in the mailbox the next day. Compared to queuing at Blockbuster. , So much better."
"I know." Bendtner could not show off his friends and said, "I rented seven films from Netflix last month, and only two from the Blockbuster store."
Rosicki said strangely: "I have been to a Blockbuster store several times last month. Have you noticed? There are a lot fewer people in Blockbuster's store than last year."
Bendtner thought for a while, and said, "It seems that the queue time is obviously shorter."
Rosicky remembered another thing: "By the way, I read an announcement on Netflix. It is said that their website will launch some new features in the second half of the year."
Bendtner nodded: "I saw it too."
The two followed the crowd into the projection hall. The theater, which could accommodate thousands of people, was full of people. Those of them who came late could only sit in the back corners of the rows.
I’m late and I can’t get a good seat, but it’s also a bit good. You don’t have to wait too long to see the movie.
The first thing that appeared was not "The Bourne Duty 2", but a patch advertisement for another movie, with passionate background music, a strange pirate captain swaying like a willow in the wind, and a muscular chest clip. Swordsman of Broken Egg...
This apparently magical patch advertisement left a deep impression on Bennet and Rosicky, and unconsciously remembered the release time.
The advertisement for "Pirates of the Caribbean" in a sequel movie like "The Bournemouth 2" that will inevitably attract attention will undoubtedly have an excellent publicity effect.
This is also one of Hollywood's most primitive and effective publicity methods.
Ronan believes that this will allow "Pirates of the Caribbean" to further increase its popularity.
"Pirates of the Caribbean" was released on the weekend after the Independence Day holiday, and the pre-screening campaign had already begun.
Subsequently, the feature film began to be shown.
Two years have passed since the thrilling killings in the first part of "The Bourne Shadow 2" story. Byrne, who lived in India with his girlfriend in seclusion, is still entangled by vaguely emerging memory fragments. A bombing in Berlin was shocked. Byrne's whereabouts brought him back to the CIA's sight again.
In order to cover up their crimes, the CIA senior officials were involved in corruption and tried to blame Berne.
They first instructed the Russian oil giants to hire killers to kill all the agents sent by the CIA and informants dealing with them, leaving behind the fingerprints of Berne, and then go to the remote Indian town of Goa to assassinate Berne, in order to cause death without evidence. Head case.
Byrne, who escaped from the dead, avenged his tragic girlfriend Mary, who was mistakenly killed. He ran around many places and finally defeated the ghosts and hired killers in the CIA. At the same time, the mystery of his nightmare was finally revealed.
At the beginning of the film, there was a dramatic reversal of the story that made people drop their jaws.
Just when the audience thought that just like 007 or the Spy Disk, Mary would be Bourne's "spy girl", but the film arranged for Mary to die early.
The following plot was carefully designed into a double line: on the one hand, how Byrne exposed the inside story of the CIA and washed his innocence; on the other hand, he further clarified the lingering surroundings on himself. Shadow memory.
This film is certainly not a story of simple revenge for his girlfriend.
In fact, apart from the fight with CIA agents in Munich, Germany, who was forced to be strangled to death during legitimate defenses, Berne never killed a single person in the entire plot, and always remembered Mary’s exhortation to him: "You must There are other options, not to kill."
Thus, the whole story finally became a process of self-salvation.
At the end of the film, Bourne said in front of the orphan of the Naskis: "Your parents didn't die like that. I killed them. I'm sorry." This relieved the heavy psychological burden.
Compared with "The Bournemouth 1", the rhythm of the second part is more lively.
Director Paul Greengrass gave Ronan a statistic, the average lens length of "The Bournemouth" is 2.6 seconds, and on "The Bournemouth 2", the average lens length is only 1.9 seconds!
The high-speed editing creates an extremely exciting visual climax.
It can be said that Paul Greengrass gave the film many new forms of expression.
But as a typical commercial film, it still follows the most basic Hollywood model in plot setting.
The confrontation between the protagonist and the villain is very obvious, and it has always run through the confrontation between Byrne and CAA. The person in charge of the "stumbling block" project has not yet died, and Byrne is hunted down by the CIA.
Then there is the typical three-act structure.
The first act must explain the characters and background: Byrne is at large, the CIA keyboard man and turtleneck controllers initially formulated strategies to deal with Berne; in the second act, the contradictions intensify, Byrne establishes contact with key teammates, and the CIA sends it first. Let's find the way, and send a killer evenly matched with Byrne to block. During this period, there will be a car chase scene, a tracking and anti-tracking scene.
The climax of the third act of the story, Byrne’s survival crisis is lifted, the CIA executives fall into trouble, and Byrne exits with a gorgeous BGM.
Of course, as an orthodox commercial film, there are still mainstream values that are never outdated.
At present, the script of "The Bourne Vendor 3" has been completed, including the first two. At the end, the CIA executives who have killed themselves either died violently, or committed suicide by swallowing guns, or stinking for thousands of years, or were in prison.
This is in line with the audience's expectation of mainstream commercial genre movies-a happy ending such as evils do not suppress the righteousness, and evil people get evil rewards.
In the final analysis, these are some of the easiest rules for business success.
Those who comply have the highest chance of achieving commercial success. Those who do not comply may not succeed, but the chances of success are much smaller.
At the end of the film screening, there was extremely enthusiastic applause in the auditorium. The applause lasted for several minutes, especially in the back row of the audience. When the applause in front had fallen, the applause was still thunderous. .
It seems that only in this way can they express their love for the film.
A popular film that can be loved by most audiences can easily become popular.
At the end of the premiere, Ronan did not stay too much, called Anne Hathaway, took her into the car and returned to Beverly Hills.
Anne Hathaway has been gently pressing her eyes after getting in the car.
"What's the matter?" Ronan asked concerned: "Is it uncomfortable? Do you want to see a doctor?"
Anne Hathaway turned her head and smiled at Ronan, and said, "It's okay. The movie camera shakes too much, and the camera switches too quickly, which may cause visual fatigue. Just a break."
Ronan patted her hand gently: "Close your eyes and rest for a while."
Anne Hathaway closed her eyes, leaned against Ronan's shoulder, and said: "This film has a very unique style, especially with the action design. The action shots are too sharp."
Ronan said: "This is also the selling point of the film."
Anne Hathaway opened her eyes: "It's too unfriendly to the audience whose eyes are prone to fatigue."
Ronan laughed blankly. In fact, there are many people who don't like the Bourne Shadow series. The biggest reason is the style.
Fortunately, this is ordinary 2D, not 3D, otherwise it is not eye fatigue, but many people spit it out directly.
However, most people appreciate this style, after all, similar styles will become the mainstream of Hollywood action movies.
In this era of unprecedented development of CG technology, any star can dodge decently on the screen and pretend to be a hero, but the audience is already tired of this kind of fisting.
Therefore, when Jayne Burnf, who was moving against the trend, appeared on the stage, he pulled the increasingly imaginary figure of the screen agent back to the ground, and made a solid punch and kick with a realistic style and sturdy posture~ www.novelhall.com~ Suddenly all four were shocked.
In the past seven or eight years, with the latest CG technology, science fiction and disaster films with increasingly turbulent visual effects have eroded the territory of traditional action films, while action films have been forced to take another path, relying heavily on explosive flames and crowded tactics. , Blindly competing with opponents on the scene, this can be said to be a major reason for the gradual decline of traditional action movies.
Once in the lonely depression of action movies, "The Bourne" is no different from a sudden existence. The day-to-day thin "007" series borrowed inspiration from Bourne to regain a new life. It can also be regarded as an injection of stimulant to the action movie market. , And many later action movies have embarked on the characteristic route of Byrne.
The direct and effective fist strategy of "The Bourne" has been imitated by action films, and the dance of "Breakout Angels" that dangles and kicks in the air has become outdated.
Even the "Mission Impossible" series, which has never lacked high-tech, later learned a lesson from the civilian agent of Byrne. Ethan-Hunt played a trick with three punches and two feet to defeat the enemy. There is no "Mission Impossible". 2"'s romantic freehand brushwork and lengthy entanglement.
To say that the masters who have fully understood all the actions of "The Bourne" are also in the "Hurricane Rescue" series. The retired agents with unique skills are alone against the evil group, and the narrative is critical, without the need for CG to help chase, Fighting, gunfighting and blasting scenes, high-speed editing, and rushing soundtrack, all are stylish and stylish.
Of course, the current action design of "Hurricane Rescue", even including action editing, is also learning the style of "The Bourne".
The "Bourage" series has left a strong mark in film history.
Ronan expects that while the film is applauded, it will also be popular.
https://
Genius remembers this site address in one second:. Mobile version reading URL:
As he walked through the theater through the screening hall, Bendtner could see familiar signs everywhere: "There are Netflix advertisements everywhere."
The friend Rosicky next to him said: "Netflix and the Embassy Pictures that released "The Bourne" seem to belong to the same group company, it seems to be called..." He thought for a while: "Yes, it is called Relativity Entertainment Group."
Bendtner followed the crowd and asked as he walked: "Last time we registered a Netflix user together, have you ever used it."
Rosicky glanced at a girl who was crowding behind and said, "It's very convenient. It only needs a few clicks with the mouse. The selected film will be in the mailbox the next day. Compared to queuing at Blockbuster. , So much better."
"I know." Bendtner could not show off his friends and said, "I rented seven films from Netflix last month, and only two from the Blockbuster store."
Rosicki said strangely: "I have been to a Blockbuster store several times last month. Have you noticed? There are a lot fewer people in Blockbuster's store than last year."
Bendtner thought for a while, and said, "It seems that the queue time is obviously shorter."
Rosicky remembered another thing: "By the way, I read an announcement on Netflix. It is said that their website will launch some new features in the second half of the year."
Bendtner nodded: "I saw it too."
The two followed the crowd into the projection hall. The theater, which could accommodate thousands of people, was full of people. Those of them who came late could only sit in the back corners of the rows.
I’m late and I can’t get a good seat, but it’s also a bit good. You don’t have to wait too long to see the movie.
The first thing that appeared was not "The Bourne Duty 2", but a patch advertisement for another movie, with passionate background music, a strange pirate captain swaying like a willow in the wind, and a muscular chest clip. Swordsman of Broken Egg...
This apparently magical patch advertisement left a deep impression on Bennet and Rosicky, and unconsciously remembered the release time.
The advertisement for "Pirates of the Caribbean" in a sequel movie like "The Bournemouth 2" that will inevitably attract attention will undoubtedly have an excellent publicity effect.
This is also one of Hollywood's most primitive and effective publicity methods.
Ronan believes that this will allow "Pirates of the Caribbean" to further increase its popularity.
"Pirates of the Caribbean" was released on the weekend after the Independence Day holiday, and the pre-screening campaign had already begun.
Subsequently, the feature film began to be shown.
Two years have passed since the thrilling killings in the first part of "The Bourne Shadow 2" story. Byrne, who lived in India with his girlfriend in seclusion, is still entangled by vaguely emerging memory fragments. A bombing in Berlin was shocked. Byrne's whereabouts brought him back to the CIA's sight again.
In order to cover up their crimes, the CIA senior officials were involved in corruption and tried to blame Berne.
They first instructed the Russian oil giants to hire killers to kill all the agents sent by the CIA and informants dealing with them, leaving behind the fingerprints of Berne, and then go to the remote Indian town of Goa to assassinate Berne, in order to cause death without evidence. Head case.
Byrne, who escaped from the dead, avenged his tragic girlfriend Mary, who was mistakenly killed. He ran around many places and finally defeated the ghosts and hired killers in the CIA. At the same time, the mystery of his nightmare was finally revealed.
At the beginning of the film, there was a dramatic reversal of the story that made people drop their jaws.
Just when the audience thought that just like 007 or the Spy Disk, Mary would be Bourne's "spy girl", but the film arranged for Mary to die early.
The following plot was carefully designed into a double line: on the one hand, how Byrne exposed the inside story of the CIA and washed his innocence; on the other hand, he further clarified the lingering surroundings on himself. Shadow memory.
This film is certainly not a story of simple revenge for his girlfriend.
In fact, apart from the fight with CIA agents in Munich, Germany, who was forced to be strangled to death during legitimate defenses, Berne never killed a single person in the entire plot, and always remembered Mary’s exhortation to him: "You must There are other options, not to kill."
Thus, the whole story finally became a process of self-salvation.
At the end of the film, Bourne said in front of the orphan of the Naskis: "Your parents didn't die like that. I killed them. I'm sorry." This relieved the heavy psychological burden.
Compared with "The Bournemouth 1", the rhythm of the second part is more lively.
Director Paul Greengrass gave Ronan a statistic, the average lens length of "The Bournemouth" is 2.6 seconds, and on "The Bournemouth 2", the average lens length is only 1.9 seconds!
The high-speed editing creates an extremely exciting visual climax.
It can be said that Paul Greengrass gave the film many new forms of expression.
But as a typical commercial film, it still follows the most basic Hollywood model in plot setting.
The confrontation between the protagonist and the villain is very obvious, and it has always run through the confrontation between Byrne and CAA. The person in charge of the "stumbling block" project has not yet died, and Byrne is hunted down by the CIA.
Then there is the typical three-act structure.
The first act must explain the characters and background: Byrne is at large, the CIA keyboard man and turtleneck controllers initially formulated strategies to deal with Berne; in the second act, the contradictions intensify, Byrne establishes contact with key teammates, and the CIA sends it first. Let's find the way, and send a killer evenly matched with Byrne to block. During this period, there will be a car chase scene, a tracking and anti-tracking scene.
The climax of the third act of the story, Byrne’s survival crisis is lifted, the CIA executives fall into trouble, and Byrne exits with a gorgeous BGM.
Of course, as an orthodox commercial film, there are still mainstream values that are never outdated.
At present, the script of "The Bourne Vendor 3" has been completed, including the first two. At the end, the CIA executives who have killed themselves either died violently, or committed suicide by swallowing guns, or stinking for thousands of years, or were in prison.
This is in line with the audience's expectation of mainstream commercial genre movies-a happy ending such as evils do not suppress the righteousness, and evil people get evil rewards.
In the final analysis, these are some of the easiest rules for business success.
Those who comply have the highest chance of achieving commercial success. Those who do not comply may not succeed, but the chances of success are much smaller.
At the end of the film screening, there was extremely enthusiastic applause in the auditorium. The applause lasted for several minutes, especially in the back row of the audience. When the applause in front had fallen, the applause was still thunderous. .
It seems that only in this way can they express their love for the film.
A popular film that can be loved by most audiences can easily become popular.
At the end of the premiere, Ronan did not stay too much, called Anne Hathaway, took her into the car and returned to Beverly Hills.
Anne Hathaway has been gently pressing her eyes after getting in the car.
"What's the matter?" Ronan asked concerned: "Is it uncomfortable? Do you want to see a doctor?"
Anne Hathaway turned her head and smiled at Ronan, and said, "It's okay. The movie camera shakes too much, and the camera switches too quickly, which may cause visual fatigue. Just a break."
Ronan patted her hand gently: "Close your eyes and rest for a while."
Anne Hathaway closed her eyes, leaned against Ronan's shoulder, and said: "This film has a very unique style, especially with the action design. The action shots are too sharp."
Ronan said: "This is also the selling point of the film."
Anne Hathaway opened her eyes: "It's too unfriendly to the audience whose eyes are prone to fatigue."
Ronan laughed blankly. In fact, there are many people who don't like the Bourne Shadow series. The biggest reason is the style.
Fortunately, this is ordinary 2D, not 3D, otherwise it is not eye fatigue, but many people spit it out directly.
However, most people appreciate this style, after all, similar styles will become the mainstream of Hollywood action movies.
In this era of unprecedented development of CG technology, any star can dodge decently on the screen and pretend to be a hero, but the audience is already tired of this kind of fisting.
Therefore, when Jayne Burnf, who was moving against the trend, appeared on the stage, he pulled the increasingly imaginary figure of the screen agent back to the ground, and made a solid punch and kick with a realistic style and sturdy posture~ www.novelhall.com~ Suddenly all four were shocked.
In the past seven or eight years, with the latest CG technology, science fiction and disaster films with increasingly turbulent visual effects have eroded the territory of traditional action films, while action films have been forced to take another path, relying heavily on explosive flames and crowded tactics. , Blindly competing with opponents on the scene, this can be said to be a major reason for the gradual decline of traditional action movies.
Once in the lonely depression of action movies, "The Bourne" is no different from a sudden existence. The day-to-day thin "007" series borrowed inspiration from Bourne to regain a new life. It can also be regarded as an injection of stimulant to the action movie market. , And many later action movies have embarked on the characteristic route of Byrne.
The direct and effective fist strategy of "The Bourne" has been imitated by action films, and the dance of "Breakout Angels" that dangles and kicks in the air has become outdated.
Even the "Mission Impossible" series, which has never lacked high-tech, later learned a lesson from the civilian agent of Byrne. Ethan-Hunt played a trick with three punches and two feet to defeat the enemy. There is no "Mission Impossible". 2"'s romantic freehand brushwork and lengthy entanglement.
To say that the masters who have fully understood all the actions of "The Bourne" are also in the "Hurricane Rescue" series. The retired agents with unique skills are alone against the evil group, and the narrative is critical, without the need for CG to help chase, Fighting, gunfighting and blasting scenes, high-speed editing, and rushing soundtrack, all are stylish and stylish.
Of course, the current action design of "Hurricane Rescue", even including action editing, is also learning the style of "The Bourne".
The "Bourage" series has left a strong mark in film history.
Ronan expects that while the film is applauded, it will also be popular.
https://
Genius remembers this site address in one second:. Mobile version reading URL:
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